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Post-production file converter

Convert Filmora to DaVinci Resolve

Drop your .wfp, then import the .drp in Resolve's Project Manager. The timeline arrives cut, with every clip linked to your media.

FromTo

Drop files here

Drag & drop or browse · Filmora projects (.wfp)Converted in your browser. Files never leave your device.Short projects are free. Bigger projects: $5 a file, $15 over 50 MB, or Pro.

up to 2 files · 500 KB each

Pricing

Converting as a guest. A free account has no monthly cap within the free size cap.

Queue

0/2

No files yet. Drop one above to start.

Output settings

Converting toFilmora to DaVinci Resolve

Advanced settings

Review captions in a spreadsheet, keeping original timing →

Resolve transferClip colors

Map organizational labels without changing picture color or grades. Closest color uses the project's stored RGB when available. Distinct labels use a one-to-one palette assignment. Custom mappings take priority.

Customize the 16 label mappings

Set source colors to match Premiere Preferences if customized. This preview uses default palette colors until overridden; the project may store different RGB values.

Violet

Iris

Caribbean

Lavender

Cerulean

Forest

Rose

Mango

Purple

Blue

Teal

Magenta

Tan

Green

Brown

Yellow

Resolve versionTime remapping

Resolve 20 compatibility samples curved maps onto editable frame points. Resolve 21 can retain their source-time Bezier handles. Time remapping is separate from transform animation below. Frame sampling evaluates decoded maps, including reverse and freeze sections, at every visible frame, within 16,384 frames and 16,385 retained points per clip. It stops when that guarantee cannot be met. Bezier delivery keeps supported curves editable and stops if a retime cannot remain one native clip. Optical flow and unknown Premiere curve profiles require recreation.

Audio pitch during retiming

Resampling avoids time-stretch processing. Preserving pitch uses Resolve's audio algorithm and can change channel levels or transients. Review audio after retiming.

Unsupported retimesAnimation

Supported Bezier curves keep editable handles. Sampling uses the original curve at visible Resolve frames within the sampling budget. Long curves use a bounded approximation. Review retimes, spatial paths and between-frame motion.

Turning off automation keeps static levels and mute. To omit audio entirely, clear Audio tracks. Individual track choices appear with the sequence preview below.

Frame rate Filename suffix

Timeline conversions preserve source sequence frame rates. Frame rate here applies to caption and timecode outputs.

Workflow template

Import preset

Custom JSON fields

Timing is read from your source.

Output

Your converted files appear here.

How to convert Filmora to DaVinci Resolve

Convert a Filmora project to DaVinci Resolve. Drop your .wfp on this page and download a .drp project with your cuts, speed changes, transforms, crops, volume, fades, dissolves and titles.

Find the .wfp
It's wherever you saved the project. Open the project in Filmora and choose File > Save Project As to see the folder, or to save a fresh copy somewhere easy to find.
Drop it here and convert
The converter reads the project's timelines in your browser. Your main timeline comes across with its compound clips, and any compound clip you haven't placed comes across as a timeline of its own. Your video never uploads.
Open it in Resolve
In Resolve's Project Manager, right-click and choose Import Project, then pick the .drp. The media is linked where Filmora had it.

Filmora project and DaVinci Resolve project, explained

A .wfp is a ZIP of JSON describing the edit, with no media inside. CutConvert reads that JSON and rebuilds the timeline for DaVinci Resolve. We worked out what each record means by saving known edits in Filmora 16.0.12 for Mac and comparing the values. Filmora's effects, filters, stickers, AI tools and title animations have no match in other editors. The download lists every one it leaves out, so you know what to rebuild.

Drop your .wfp, then import the .drp in Resolve's Project Manager. The timeline arrives cut, with every clip linked to your media. It is free to start, encrypted in transit, and converts a whole batch into one ZIP — sign in when you need large, high-volume jobs.

Filmora to DaVinci Resolve FAQ

Can't Resolve import Filmora's XML?

It can import the Final Cut Pro 7 XML that Filmora 16 exports. Older versions of Filmora have no XML export, and a .drp opens as a project with no import settings to pick.

Where do the clips point?

At the same files, in the same places. A .wfp stores each clip's full path, so DaVinci Resolve finds your media if it hasn't moved. Move it and you relink it once.

What about older Filmora projects?

Projects from older versions can use a different format. If one won't read, open it in a current Filmora, choose File > Save Project As, and drop the new copy.

What doesn't carry over?

Filmora's effects, filters, stickers, AI tools and title animations have no match in other editors. The download lists every one it leaves out, so you know what to rebuild.

Is it free?

A .wfp up to 500 KB converts free. Above that, this project is a one-time $5.

Guides for this workflow

Filmora to Premiere ProDrop a .wfp on a converter and get a project for Premiere, Resolve, Final Cut, Avid or CapCut. It goes the other way too.Read guide

Questions, answered

Where are my files processed?

In your browser. The file never leaves your computer, and CutConvert only records that a conversion happened. We never see, store, sell or share your media.

Is it free? Do I need an account?

Files up to about an hour of footage convert free on every converter. CapCut projects up to 500 KB convert free. Guests get five conversions a month; a free account has no monthly cap within the free size caps. Bigger files are $2 each, or $5 for a project conversion from one program to another ($9 into or out of CapCut). Pro is $12 a month ($120 a year) for files up to 50 MB. Studio is $24 a month ($240 a year) for files up to 500 MB.

What do I get when I convert multiple files?

One ZIP with every converted file. A single file comes back on its own. Press + to add more output formats: they go in the same ZIP, and each file still counts as one conversion.

Which formats are supported?

Projects in: Premiere .prproj, DaVinci Resolve .drp, Avid AAF and bins, Final Cut FCPXML, CapCut drafts and Audition sessions. Projects out: FCP7 XML, FCPXML, Resolve .drp, AAF, CapCut and REAPER, plus CMX 3600 EDL and shot-list CSV. Transitions, markers, titles, keyframes, levels, speed changes and nested sequences carry over wherever the target app can hold them. Captions: SRT, WebVTT, SBV, ASS, TTML, DFXP, iTT, SCC, MCC, EBU-STL, Avid caption TXT, timed CSV, Word and plain text. Transcripts: Whisper, WhisperX, AssemblyAI, Deepgram, Rev.ai and CapCut JSON, Premiere transcript JSON and .prtranscript, and Rev, Otter and Word-style text. Styling, placement and speakers come along where the output supports them.

Can I pick a frame rate?

Yes. For EDL and Avid caption output, choose 23.976, 24, 25, 29.97 or 30 fps, or let CutConvert detect it from your source.

Can CutConvert translate my titles?

Yes. Translate titles turns the titles, lower thirds and captions in a Premiere, Resolve, Final Cut, Avid or CapCut project into 80+ languages, with one ready-to-edit sequence per language. Only the on-screen text is sent to be translated, and the project file stays on your computer. Machine translation. Check with a fluent speaker before publishing. One project costs from $5, and Pro and Studio include it.