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Post-production file converter

Convert Filmora to Avid Media Composer

Drop your .wfp, then import the AAF into a Media Composer bin. Link it to your media and the sequence is ready to edit.

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browseFilmora projects (.wfp)Converted in your browser. Files never leave your device.Short projects are free. Bigger projects: $5 a file, $15 over 50 MB, or Pro.

up to 2 files · 500 KB each

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How to convert Filmora to Avid AAF

Convert a Filmora project to Avid Media Composer. Drop your .wfp on this page and download an AAF with your cuts, speed changes, transforms, crops, volume, fades, dissolves and titles.

  1. Find the .wfp

    It's wherever you saved the project. Open the project in Filmora and choose File > Save Project As to see the folder, or to save a fresh copy somewhere easy to find.

  2. Drop it here and convert

    The converter reads the project's timelines in your browser. Your main timeline comes across with its compound clips, and any compound clip you haven't placed comes across as a timeline of its own. Your video never uploads.

  3. Open it in Media Composer

    Import the AAF into a bin. The sequence appears with its clips. Link them to your media with Source Browser, and the edit plays.

Filmora project and Avid Media Composer AAF, explained

A .wfp is a ZIP of JSON describing the edit, with no media inside. CutConvert reads that JSON and rebuilds the timeline for Avid Media Composer. We worked out what each record means by saving known edits in Filmora 16.0.12 for Mac and comparing the values. Filmora's effects, filters, stickers, AI tools and title animations have no match in other editors. The download lists every one it leaves out, so you know what to rebuild.

Drop your .wfp, then import the AAF into a Media Composer bin. Link it to your media and the sequence is ready to edit. It is free to start, encrypted in transit, and converts a whole batch into one ZIP — sign in when you need large, high-volume jobs.

Filmora to Avid AAF FAQ

What does an AAF keep?

Cuts, speed, levels and fades. Media Composer's AAF import is narrower than a project format, so titles become markers with their words, and a few picture settings may need another look.

Where do the clips point?

At the same files, in the same places. A .wfp stores each clip's full path, so Avid Media Composer finds your media if it hasn't moved. Move it and you relink it once.

What about older Filmora projects?

Projects from older versions can use a different format. If one won't read, open it in a current Filmora, choose File > Save Project As, and drop the new copy.

What doesn't carry over?

Filmora's effects, filters, stickers, AI tools and title animations have no match in other editors. The download lists every one it leaves out, so you know what to rebuild.

Is it free?

A .wfp up to 500 KB converts free. Above that, this project is a one-time $5.

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Questions, answered

Where are my files processed?

In your browser. The file never leaves your computer, and CutConvert only records that a conversion happened. We never see, store, sell or share your media.

Is it free? Do I need an account?

Files up to about an hour of footage convert free on every converter. CapCut projects up to 500 KB convert free. Guests get five conversions a month; a free account has no monthly cap within the free size caps. Bigger files are $2 each, or $5 for a project conversion from one program to another ($9 into or out of CapCut). Pro is $12 a month ($120 a year) for files up to 50 MB. Studio is $24 a month ($240 a year) for files up to 500 MB.

What do I get when I convert multiple files?

One ZIP with every converted file. A single file comes back on its own. Press + to add more output formats: they go in the same ZIP, and each file still counts as one conversion.

Which formats are supported?

Projects in: Premiere .prproj, DaVinci Resolve .drp, Avid AAF and bins, Final Cut FCPXML, CapCut drafts and Audition sessions. Projects out: FCP7 XML, FCPXML, Resolve .drp, AAF, CapCut and REAPER, plus CMX 3600 EDL and shot-list CSV. Transitions, markers, titles, keyframes, levels, speed changes and nested sequences carry over wherever the target app can hold them. Captions: SRT, WebVTT, SBV, ASS, TTML, DFXP, iTT, SCC, MCC, EBU-STL, Avid caption TXT, timed CSV, Word and plain text. Transcripts: Whisper, WhisperX, AssemblyAI, Deepgram, Rev.ai and CapCut JSON, Premiere transcript JSON and .prtranscript, and Rev, Otter and Word-style text. Styling, placement and speakers come along where the output supports them.

Can I pick a frame rate?

Yes. For EDL and Avid caption output, choose 23.976, 24, 25, 29.97 or 30 fps, or let CutConvert detect it from your source.

Can CutConvert translate my titles?

Yes. Translate titles turns the titles, lower thirds and captions in a Premiere, Resolve, Final Cut, Avid or CapCut project into 80+ languages, with one ready-to-edit sequence per language. Only the on-screen text is sent to be translated, and the project file stays on your computer. Machine translation. Check with a fluent speaker before publishing. One project costs from $5, and Pro and Studio include it.