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CutConvert
Post-production file converter

Convert Premiere to REAPER

Transfer audio clips, source offsets, clip gain, volume keyframes and markers to REAPER. Review warnings for video, nests, plug-ins and mixer routing that cannot transfer.

Convert your files

Drop files here

browsePremiere Pro projectsConverted in your browser. Files never leave your device.

up to 2 files · 200 KB each

free to start · bigger jobs: one-time $7 pack, no subscription · pricing

Converting as a guest. A free account has no monthly cap on files within the free size limit.

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How to convert Premiere to REAPER

Transfer audio clips, source offsets, clip gain, volume keyframes and markers to REAPER. Review warnings for video, nests, plug-ins and mixer routing that cannot transfer.

  1. Add your Premiere project

    Drop the source file into the converter.

  2. Review the result

    Read the conversion warnings for changed or unsupported features.

  3. Download your files

    Extract the ZIP, open the converted file and check it against the source.

Premiere project and REAPER audio project, explained

Files convert locally in your browser. Download the result with the original source and the standard conversion report. Source media stays on your disk.

Transfer audio clips, source offsets, clip gain, volume keyframes and markers to REAPER. Review warnings for video, nests, plug-ins and mixer routing that cannot transfer. It is free to start, encrypted in transit, and converts a whole batch into one ZIP — sign in when you need large, high-volume jobs.

Premiere to REAPER FAQ

Is the conversion lossless?

No blanket lossless guarantee is made. Supported data is translated; limitations appear in the normal warnings and downloadable conversion report. The source file is retained.

Are audio files included?

No. Project conversions reference the original media. Relink missing files in REAPER.

Why editors trust it

Free to start

Convert everyday batches for free. Create an account when you need large, high-volume jobs.

Batch in, one ZIP out

Drop up to 10 files at once and download a single ZIP, or one file if that is all you need.

Made for editors

Whole timelines from Premiere, Final Cut and Avid with transitions, markers, titles, keyframes, levels, nests and bins; captions that keep their italics, colour, placement and speakers across SRT, VTT, ASS, TTML, iTT, SCC and STL, any of them in, any of them out; transcripts into Premiere with the words the engine timed. Frame rates and timecode handled the way post expects.

Private by design

Files are converted in your browser. Queued files can be saved locally to restore your job after checkout. Conversion metadata helps us diagnose errors; file contents are not uploaded.

Questions, answered

Where are my files processed?

In your browser. The converter runs on your own machine and the file never leaves it; the site only records that a conversion happened. CutConvert never sees, stores, sells or shares your media.

Is it free? Do I need an account?

About an hour of footage per file is free, on every converter: 100 KB of subtitles or captions, 500 KB of Word transcript, 2 MB of transcript JSON, 1 MB of Resolve project, 5 MB of Final Cut XML, with Premiere projects and Avid AAF a little under the hour. Guests get five conversions a month, a free account has no monthly cap within those sizes, and a single bigger file is $3, ten are $7, or Pro is $9 a month or $39 a year.

What do I get when I convert multiple files?

Drop several files and you get back one ZIP archive containing every converted file. Convert a single file and you get that one file back, no ZIP. Tick extra formats under the output chips and the same ZIP carries every one of them, and a file counts as one conversion whatever it is written to.

Which formats are supported?

Timelines: Premiere .prproj, DaVinci Resolve .drp (as exported, or gzip- or Zstandard-wrapped), Avid AAF and Final Cut FCPXML in; FCP7 XML, FCPXML, Resolve .drp, CMX 3600 EDL and shot-list CSV out. A Premiere or Final Cut edit travels with its transitions, markers, titles, opacity and scale keyframes, clip volume, speed changes, nested sequences, bins, audio channel routing and each file's own frame rate, wherever the output has a place for them; an Avid AAF brings its transitions, markers, clip levels with their keyframes, muted tracks, nested stacks and each clip's own rate. Captions and transcripts, read and written: SRT, WebVTT, SBV, ASS, TTML, DFXP, iTT, SCC, MCC (a second 608 channel comes out as its own file), EBU-STL, Avid caption TXT, CapCut drafts of any size, timed CSV, Word, plain text, Whisper, WhisperX, AssemblyAI, Deepgram, Rev.ai and CapCut JSON, TwitchDownloader chat logs as a chat replay, Premiere transcript JSON and .prtranscript, Rev, Otter and Word-style transcripts, with italics, colour, placement and speakers kept where the output can hold them and measured word timing into Premiere. EDLs become event CSV reports. The capability table lists what every pair keeps.

Can I pick a frame rate?

Yes. For EDL and Avid caption output you can choose 23.976, 24, 25, 29.97, or 30 fps, or let CutConvert auto-detect it from your source.