Convert Resolve Project to EDL
CMX 3600 EDLs written from the .drp itself: one per timeline, V1 plus A1–A2, source and record timecode.
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How to convert DaVinci Resolve Project to EDL
Convert a DaVinci Resolve project to EDL online. CutConvert reads the .drp, no Resolve required, and writes a CMX 3600 EDL per timeline: numbered events, source and record timecode, clip names and a reel list. Bring a Resolve cut into Avid, Premiere, Flame, or another colour session.
Add your .drp file
Drag the DaVinci Resolve project export (File > Export Project) onto the drop zone. The archive is unpacked locally.
Convert
Press Convert. The project is read in your browser: sequences, tracks, clips, source ranges and media references. The preview shows the first rows before anything is downloaded.
Download your result
Download the converted file instantly, or a single ZIP archive when you convert a batch of files.
Resolve project and CMX 3600 EDL, explained
Resolve exports EDLs one timeline at a time from inside the application. This converter writes them all from the project export: V1 with A1 and A2 per timeline, one event per clip, record timecode from the timeline start (01:00:00:00 by default), source timecode from the media start, and reel names mapped back to the full media names in a comment block at the end of the file.
CMX 3600 EDLs written from the .drp itself: one per timeline, V1 plus A1–A2, source and record timecode. It is free to start, encrypted in transit, and converts a whole batch into one ZIP — sign in when you need large, high-volume jobs.
DaVinci Resolve Project to EDL FAQ
Which Resolve versions are supported?
Project exports from Resolve 17 through 19 have been verified. Subtitle tracks are left out; timelines at a different frame rate from the first are skipped with a warning.
Which tracks end up in the EDL?
A CMX 3600 EDL carries one video track and two audio tracks. Each sequence becomes an EDL with V1, A1 and A2. If a sequence has more video tracks, V2 and above are written as separate EDLs; audio beyond A2 is left out and the converter says so in a warning.
Why are all events cuts?
The converter reads clip positions and source ranges, not transitions. A dissolve becomes a hard cut at the clip boundary. For a conform that is usually what you want; for a finishing session, apply the transitions in the destination.
What are the reel names?
Eight-character upper-case names derived from each media file name, made unique per EDL, the way the CMX format requires. A comment block at the end of the EDL maps every reel name back to the full media file name, and each event carries FROM CLIP NAME and SOURCE FILE comments, so Resolve and Avid can relink by name.
Drop-frame or non-drop-frame?
Non-drop-frame, at the sequence timebase, and the header says so (FCM: NON-DROP FRAME). A 29.97 or 59.94 sequence still converts; if your NLE asks on import, choose non-drop.
Which timecode does the source side use?
Source in and out count from the start of the media file, because that is what the project stores. Record in and out are the timeline positions, including the sequence start timecode (Resolve's 01:00:00:00, for example).
Is the project uploaded?
No. The project is read and the EDL written in your browser. Nothing leaves your machine.
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Batch in, one ZIP out
Drop up to 10 files at once and download a single ZIP, or one file if that is all you need.
Made for editors
EDL, SRT, Avid caption TXT, and Premiere transcript JSON, with speakers, frame rates, and timecode handled the way post expects.
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Questions, answered
Where are my files processed?
Your files travel over an encrypted (HTTPS) connection, convert on CutConvert's servers, and come straight back to you as a download. CutConvert never sells or shares your media.
Is it free? Do I need an account?
Small, everyday batches are free to convert. For large or high-volume jobs you'll create an account and upgrade, which keeps the free tier fast for everyone.
What do I get when I convert multiple files?
Drop several files and you get back one ZIP archive containing every converted file. Convert a single file and you get that one file back, no ZIP.
Which formats are supported?
You can convert EDL to CSV; SRT and VTT subtitles to each other and to plain text; SRT, TXT, and DOCX/DOC transcripts to Premiere Pro transcript JSON; SRT to Avid Media Composer caption TXT; and Premiere Pro .prtranscript exports to SRT, VTT, or text, with speaker labels preserved. More post-production formats are on the way.
Can I pick a frame rate?
Yes. For EDL and Avid caption output you can choose 23.976, 24, 25, 29.97, or 30 fps, or let CutConvert auto-detect it from your source.