Convert Avid Bin to Final Cut XML
Transfer supported Avid AVB sequence cuts, gaps, tracks and source trims to Final Cut XML. Relink media and review unsupported processing in the report.
Convert your files
Drop files here
Drag & drop or browse · Avid AVB bins with sequencesConverted in your browser. Files never leave your device.About an hour of footage is free. Project-to-project transfers above the cap: $5 per file, or Pro $9/month up to 50 MB.
up to 2 files · 5 MB each
free to start · project to project: $5 · every other conversion: $3 · Pro $9/month · pricing
Converting as a guest. A free account has no monthly cap on files within the free size limit.
How to convert Avid Bin to Final Cut XML
Convert supported Avid AVB sequence cuts, gaps, picture/audio tracks and source trims to Final Cut XML without installing or purchasing Avid.
Add your Avid bin
Drop an AVB bin containing a top-level sequence.
Choose the sequences
Review the sequence list and conversion warnings before exporting.
Download and relink
Extract the ZIP, open the destination timeline, relink the source media and compare with your Avid sequence.
Avid AVB sequence and Final Cut XML, explained
The sequence profile reads native AVB objects locally in your browser. It retains verified equal-rate source graphs and nested sequences. Unknown edit objects, retimes and ambiguous processing graphs stop conversion with recovery guidance. The original AVB is included. Native effect processing, mixer controls, titles, captions and markers need review; Media Composer playback acceptance remains unverified.
Transfer supported Avid AVB sequence cuts, gaps, tracks and source trims to Final Cut XML. Relink media and review unsupported processing in the report. It is free to start, encrypted in transit, and converts a whole batch into one ZIP — sign in when you need large, high-volume jobs.
Avid Bin to Final Cut XML FAQ
Does this require an Avid purchase?
No. The converter reads the bin directly, using a browser implementation verified against the free MIT pyavb SDK.
Does this preserve all Avid processing?
Supported edit data transfers. Native effect state and other unsupported processing remain in the included original bin and are identified in the conversion report.
What if the bin contains only master clips?
Use Avid Bin to CSV for a bin inventory. Timeline outputs require a top-level sequence.
Is this native AVB write-back?
No. The output is a translated destination file; the original AVB is retained byte for byte.
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Why editors trust it
Free to start
Convert everyday batches for free. Create an account when you need large, high-volume jobs.
Batch in, one ZIP out
Convert a batch within your allowance and download a single ZIP, or one file if that is all you need.
Made for editors
Whole timelines from Premiere, Final Cut and Avid with transitions, markers, titles, keyframes, levels, nests and bins; captions that keep their italics, colour, placement and speakers across SRT, VTT, ASS, TTML, iTT, SCC and STL, any of them in, any of them out; transcripts into Premiere with the words the engine timed. Frame rates and timecode handled the way post expects.
Private by design
Files are converted in your browser. Queued files can be saved locally to restore your job after checkout. Conversion metadata helps us diagnose errors; file contents are not uploaded.
Questions, answered
Where are my files processed?
In your browser. The converter runs on your own machine and the file never leaves it; the site only records that a conversion happened. CutConvert never sees, stores, sells or shares your media.
Is it free? Do I need an account?
About an hour of footage per file is free, on every converter: 100 KB of subtitles or captions, 500 KB of Word transcript, 2 MB of transcript JSON, 1 MB of Resolve project, 5 MB of Final Cut XML, with Premiere projects and Avid AAF a little under the hour. Guests get five conversions a month, a free account has no monthly cap within those sizes, and above that project-to-project transfers are $5 per file. Every other conversion is $3, including project files to captions, reports or cut lists, and captions or transcripts into an editor. Pro is $9 a month ($39 a year) for every file type up to 50 MB; Studio is $19 a month ($79 a year) for files up to 500 MB. Paid-file access lasts 24 hours.
What do I get when I convert multiple files?
Drop several files and you get back one ZIP archive containing every converted file. Convert a single file and you get that one file back, no ZIP. Tick extra formats under the output chips and the same ZIP carries every one of them, and a file counts as one conversion whatever it is written to.
Which formats are supported?
Timelines: Premiere .prproj, DaVinci Resolve .drp (as exported, or gzip- or Zstandard-wrapped), Avid AAF and Final Cut FCPXML in; FCP7 XML, FCPXML, Resolve .drp, CMX 3600 EDL and shot-list CSV out. A Premiere or Final Cut edit travels with its transitions, markers, titles, opacity and scale keyframes, clip volume, speed changes, nested sequences, bins, audio channel routing and each file's own frame rate, wherever the output has a place for them; an Avid AAF brings its transitions, markers, clip levels with their keyframes, muted tracks, nested stacks and each clip's own rate. Captions and transcripts, read and written: SRT, WebVTT, SBV, ASS, TTML, DFXP, iTT, SCC, MCC (a second 608 channel comes out as its own file), EBU-STL, Avid caption TXT, CapCut drafts of any size, timed CSV, Word, plain text, Whisper, WhisperX, AssemblyAI, Deepgram, Rev.ai and CapCut JSON, TwitchDownloader chat logs as a chat replay, Premiere transcript JSON and .prtranscript, Rev, Otter and Word-style transcripts, with italics, colour, placement and speakers kept where the output can hold them and measured word timing into Premiere. EDLs become event CSV reports. The capability table lists what every pair keeps.
Can I pick a frame rate?
Yes. For EDL and Avid caption output you can choose 23.976, 24, 25, 29.97, or 30 fps, or let CutConvert auto-detect it from your source.