Translate every title in your edit, in one go.

These translations are made by AI. They're a fast first draft, not a certified translation, and they can be wrong: names, slang, jokes, legal or medical wording, and anything with double meaning are the usual problems. Please have a fluent speaker review every language before you publish or deliver. You can fix any line in the review table, and the download asks you to confirm that someone will check them.

More than 80, including Spanish, French, German, Portuguese, Italian, Japanese, Chinese (Simplified and Traditional), Korean, Arabic, Hindi, Russian and Turkish. Regional versions such as Latin American Spanish, Brazilian Portuguese, Canadian French and UK English are separate choices. Languages where results tend to be weaker carry a "review carefully" note in the picker.

A translated title keeps its font. If that font has no characters for the new script, such as Japanese in Montserrat, DaVinci Resolve shows empty boxes; Premiere Pro and Final Cut Pro borrow the characters from another font. The review table flags those lines. For Resolve, CapCut, XML and AAF projects you can turn on "Swap fonts that may lack these characters": those titles then use a font for that script that comes with macOS or Windows, such as Hiragino Sans for Japanese on a Mac or Yu Gothic on Windows, so there is nothing to install.

Arabic, Hebrew, Persian, Urdu and the other right-to-left languages translate like any other. CutConvert doesn't change a title's alignment, so check it in your editor; the review table marks those lines. Caption formats that store text direction, such as TTML and iTT, are written right to left.

Yes. Export the review table as a CSV with one column per language and send it to your translator. Import the finished CSV and CutConvert builds the project from it, with no machine translation and nothing sent. It's priced like any other job, because you still get the built project.

No. The project file is read on your computer, and the translated project is built there too. Only the on-screen text is sent to Anthropic to be translated. We don't keep that text after your job, unless you turn on translation memory (Studio).

Text inside Premiere Motion Graphics templates (MOGRTs) and Final Cut title templates is listed with its translation, for you to paste into the template's fields. Avid Title Tool, Marquee and SubCap titles inside an AAF aren't read, so translate those in Media Composer. Text burned into the video picture can't be read at all.

Yes. Drop the caption file (SRT, VTT, SCC, EBU-STL, TTML and the other supported formats) and you get one file per language in the same format. In a project, caption tracks are translated along with the titles.

Pro includes 10 translated projects a month with up to 5 languages each, and Studio includes 40 with up to 80 languages. A project counts once, when you start translating it, since that's when the translation runs; downloading it again, or in another output format, is free. Translated projects have their own allowance, separate from conversions.

CutConvert reads the text made with each editor's own title tools: Premiere's Type tool and Essential Graphics, Resolve's Text+, Final Cut's titles, CapCut text, basic titles in an Avid AAF, and caption tracks. Text from third-party title plug-ins, text inside an image or video file, and text burned into the footage can't be read. If your editor shows titles and none are found, email [email protected].