Convert TXT transcripts to Premiere JSON
Turn timestamped text transcripts into Premiere Pro transcript JSON with speaker records and word-level timing.
Convert your files
Drop files here
Drag & drop or browse · Rev, Otter, Word TXTConverted in your browser. Files never leave your device.About an hour of footage is free. Larger files: $3 each, or Pro $9/month for everything up to 50 MB.
up to 2 files · 100 KB each
free to start · project to project: $5 · every other conversion: $3 · Pro $9/month · pricing
Converting as a guest. A free account has no monthly cap on files within the free size limit.
Comment convertir TXT en JSON Premiere
Convertissez une transcription TXT horodatée — de Rev, Otter, Descript ou Word — en JSON de transcription statique Premiere Pro. CutConvert transpose vos intervenants et vos timings dans le format exact que le panneau Texte de Premiere importe, pour monter à partir de la transcription et construire vos sous-titres plus vite.
Ajoutez votre transcription
Glissez votre transcription .txt horodatée dans la zone de dépôt, ou cliquez pour la parcourir.
Convertissez TXT en JSON Premiere
Cliquez sur Convertir. CutConvert préserve les tours de parole et le timing au mot près pendant qu’il construit le JSON.
Téléchargez votre résultat
Téléchargez le fichier converti instantanément — ou une seule archive ZIP lorsque vous convertissez un lot de fichiers.
Transcription TXT et JSON Premiere, expliqués
Le montage par texte de Premiere Pro lit un JSON de transcription spécifique. Déposez les exports de votre service de transcription et récupérez un fichier prêt pour Premiere — sans copier-coller à la main dans le panneau Texte.
Transformez des transcriptions texte horodatées en JSON de transcription Premiere Pro avec enregistrements d’intervenants et timing au mot près. C'est gratuit pour commencer, chiffré en transit, et un lot entier est converti en un seul ZIP — connectez-vous pour les gros fichiers et les volumes importants.
Questions fréquentes sur TXT en JSON Premiere
Quels formats de transcription TXT sont acceptés ?
Les transcriptions TXT horodatées de services comme Rev, Otter et Descript, ainsi que le texte de transcription style Word. Tant que le fichier contient des horodatages et des noms d’intervenants, CutConvert peut le transposer en JSON de transcription Premiere.
Les noms des intervenants et le timing sont-ils préservés ?
Oui. CutConvert préserve les tours de parole et le timing au mot près pendant qu’il construit le JSON, de sorte que la transcription arrive dans Premiere avec intervenants et timings intacts.
Comment importer le JSON dans Premiere Pro ?
La sortie est exactement le format JSON de transcription statique que le panneau Texte de Premiere Pro importe pour le montage par texte. Importez-le comme transcription et vous pourrez monter à partir de la transcription, rechercher dans les dialogues et construire vos sous-titres plus vite.
Ma transcription est un document Word, pas un TXT — que dois-je utiliser ?
Utilisez plutôt le convertisseur DOC en JSON Premiere sur /doc/json. Il lit directement les transcriptions .docx et .doc et produit le même JSON de transcription prêt pour Premiere.
Est-ce gratuit ?
Gratuit pour commencer. Les invités convertissent 5 fichiers par mois de 100 Ko maximum chacun ; un compte gratuit n’a pas de limite mensuelle dans la taille gratuite et accepte des lots jusqu’à 100 fichiers, et les offres payantes commencent à 9 $/mois pour 100 conversions avec des fichiers de 50 Mo.
Guides pour ce workflow
- Import a transcript into PremiereReuse a Rev, Otter, Word, or SRT transcript in Premiere's Text-Based Editing with sample files and instructions for importing timed JSON.Lire le guide
- Corrected transcript greyed outThe merge needs an existing transcript and the right panel context. The checklist that un-greys the option, and the JSON route when it still won't budge.Lire le guide
- Rev/Otter transcript → PremiereWhat to export from Rev, Otter, and Descript (and the one setting everyone misses), then how to convert it for Premiere's transcript import.Lire le guide
- What is a paper edit?The interview lines of a documentary, in order, with timecode, written before the cut. What goes in one and how it becomes a timeline.Lire le guide
- How to do a paper editEight steps from interview transcripts to a paper edit the editor can open as a sequence, the way documentary teams work.Lire le guide
- Interview selects in PremiereFrom the Text panel's transcript, as subclips, or with markers, plus how a producer can pick the selects without Premiere.Lire le guide
- Interview string-outSelects end to end, per person, per theme or in story order: building a string-out in Premiere and Resolve, or straight from a paper edit.Lire le guide
- Paper edit templateA spreadsheet and a Word document laid out like a real documentary paper edit, with timecode and source columns, that paste straight into PaperEdit.Lire le guide
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Why editors trust it
Free to start
Convert everyday batches for free. Create an account when you need large, high-volume jobs.
Batch in, one ZIP out
Convert a batch within your allowance and download a single ZIP, or one file if that is all you need.
Made for editors
Whole timelines from Premiere, Final Cut and Avid with transitions, markers, titles, keyframes, levels, nests and bins; captions that keep their italics, colour, placement and speakers across SRT, VTT, ASS, TTML, iTT, SCC and STL, any of them in, any of them out; transcripts into Premiere with the words the engine timed. Frame rates and timecode handled the way post expects.
Private by design
Files are converted in your browser. Queued files can be saved locally to restore your job after checkout. Conversion metadata helps us diagnose errors; file contents are not uploaded.
Questions, answered
Where are my files processed?
In your browser. The converter runs on your own machine and the file never leaves it; the site only records that a conversion happened. CutConvert never sees, stores, sells or shares your media.
Is it free? Do I need an account?
About an hour of footage per file is free, on every converter: 100 KB of subtitles or captions, 500 KB of Word transcript, 2 MB of transcript JSON, 1 MB of Resolve project, 5 MB of Final Cut XML, with Premiere projects and Avid AAF a little under the hour. CapCut projects are free up to 500 KB, a short edit, since their size follows how much is in the edit rather than its length. Guests get five conversions a month, a free account has no monthly cap within those sizes, and above that project-to-project transfers are $5 per file. Every other conversion is $3, including project files to captions, reports or cut lists, and captions or transcripts into an editor. Pro is $9 a month ($90 a year) for every file type up to 50 MB; Studio is $19 a month ($190 a year) for files up to 500 MB. Paid-file access lasts 24 hours.
What do I get when I convert multiple files?
Drop several files and you get back one ZIP archive containing every converted file. Convert a single file and you get that one file back, no ZIP. Tick extra formats under the output chips and the same ZIP carries every one of them, and a file counts as one conversion whatever it is written to.
Which formats are supported?
Timelines: Premiere .prproj, DaVinci Resolve .drp (as exported, or gzip- or Zstandard-wrapped), Avid AAF and Final Cut FCPXML in; FCP7 XML, FCPXML, Resolve .drp, CMX 3600 EDL and shot-list CSV out. A Premiere or Final Cut edit travels with its transitions, markers, titles, opacity and scale keyframes, clip volume, speed changes, nested sequences, bins, audio channel routing and each file's own frame rate, wherever the output has a place for them; an Avid AAF brings its transitions, markers, clip levels with their keyframes, muted tracks, nested stacks and each clip's own rate. Captions and transcripts, read and written: SRT, WebVTT, SBV, ASS, TTML, DFXP, iTT, SCC, MCC (a second 608 channel comes out as its own file), EBU-STL, Avid caption TXT, CapCut drafts of any size, timed CSV, Word, plain text, Whisper, WhisperX, AssemblyAI, Deepgram, Rev.ai and CapCut JSON, TwitchDownloader chat logs as a chat replay, Premiere transcript JSON and .prtranscript, Rev, Otter and Word-style transcripts, with italics, colour, placement and speakers kept where the output can hold them and measured word timing into Premiere. EDLs become event CSV reports. The capability table lists what every pair keeps.
Can I pick a frame rate?
Yes. For EDL and Avid caption output you can choose 23.976, 24, 25, 29.97, or 30 fps, or let CutConvert auto-detect it from your source.