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CutConvert
Post-production file converter

Convert SCC to SRT

Decode Scenarist CEA-608 caption files into clean, timed SRT subtitles. Pop-on, roll-up, and paint-on captions all supported.

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browseSCC (Scenarist) caption filesConverted in your browser. Files never leave your device.About an hour of footage is free. Larger files: $3 each, or Pro $9/month for everything up to 50 MB.

up to 2 files · 500 KB each

free to start · project to project: $5 · every other conversion: $3 · Pro $9/month · pricing

Converting as a guest. A free account has no monthly cap on files within the free size limit.

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Comment convertir SCC en SRT

Convertissez un fichier SCC broadcast en SRT éditable. CutConvert décode les paires CEA-608 — sous-titres pop-on, roll-up et paint-on — avec la mathématique drop-frame correcte et produit un SRT propre aux temps d’origine. Le décodage est vérifié contre les fichiers de référence du projet caption-inspector de Comcast.

  1. Ajoutez vos fichiers SCC

    Glissez vos fichiers .scc dans la zone de dépôt ou cliquez pour les sélectionner.

  2. Convertissez SCC en SRT

    Cliquez sur Convertir. Le décodeur CEA-608 reconstruit chaque sous-titre avec ses temps drop-frame exacts.

  3. Téléchargez le .srt

    Téléchargez des sous-titres SRT prêts à éditer, traduire ou réutiliser sur toute plateforme.

Sous-titres SCC et Sous-titres SRT, expliqués

Les fichiers SCC proviennent d’archives de chaînes, d’anciens masters et de livraisons de conformité — et presque aucun outil moderne ne les ouvre. Les décoder en SRT transforme un catalogue de sous-titres broadcast en texte réutilisable pour YouTube, le streaming ou la traduction.

Décodez des fichiers .scc broadcast en sous-titres SRT propres et éditables — pop-on, roll-up et paint-on inclus. C'est gratuit pour commencer, chiffré en transit, et un lot entier est converti en un seul ZIP — connectez-vous pour les gros fichiers et les volumes importants.

Questions fréquentes sur SCC en SRT

Quels logiciels ouvrent un fichier SCC ?

Très peu : des suites broadcast professionnelles et presque rien d’autre. La conversion en SRT est la voie pratique pour éditer, traduire ou resynchroniser le contenu dans des outils courants.

Les sous-titres roll-up et paint-on sont-ils décodés ?

Oui — le décodeur gère les trois modes du CEA-608 (pop-on, roll-up, paint-on) et reconstruit les temps avec la mathématique drop-frame correcte.

Le décodage est-il fiable ?

Il est vérifié contre les fichiers de référence du projet open source caption-inspector de Comcast : les fichiers de test du secteur se décodent avec une correspondance exacte.

Est-ce gratuit ?

Gratuit à l’essai avec de petits fichiers (jusqu’à 100 Ko). Pour des émissions complètes, les forfaits démarrent à 9 $/mois.

Guides pour ce workflow

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Why editors trust it

Free to start

Convert everyday batches for free. Create an account when you need large, high-volume jobs.

Batch in, one ZIP out

Convert a batch within your allowance and download a single ZIP, or one file if that is all you need.

Made for editors

Whole timelines from Premiere, Final Cut and Avid with transitions, markers, titles, keyframes, levels, nests and bins; captions that keep their italics, colour, placement and speakers across SRT, VTT, ASS, TTML, iTT, SCC and STL, any of them in, any of them out; transcripts into Premiere with the words the engine timed. Frame rates and timecode handled the way post expects.

Private by design

Files are converted in your browser. Queued files can be saved locally to restore your job after checkout. Conversion metadata helps us diagnose errors; file contents are not uploaded.

Questions, answered

Where are my files processed?

In your browser. The converter runs on your own machine and the file never leaves it; the site only records that a conversion happened. CutConvert never sees, stores, sells or shares your media.

Is it free? Do I need an account?

About an hour of footage per file is free, on every converter: 100 KB of subtitles or captions, 500 KB of Word transcript, 2 MB of transcript JSON, 1 MB of Resolve project, 5 MB of Final Cut XML, with Premiere projects and Avid AAF a little under the hour. CapCut projects are free up to 500 KB, a short edit, since their size follows how much is in the edit rather than its length. Guests get five conversions a month, a free account has no monthly cap within those sizes, and above that project-to-project transfers are $5 per file. Every other conversion is $3, including project files to captions, reports or cut lists, and captions or transcripts into an editor. Pro is $9 a month ($90 a year) for every file type up to 50 MB; Studio is $19 a month ($190 a year) for files up to 500 MB. Paid-file access lasts 24 hours.

What do I get when I convert multiple files?

Drop several files and you get back one ZIP archive containing every converted file. Convert a single file and you get that one file back, no ZIP. Tick extra formats under the output chips and the same ZIP carries every one of them, and a file counts as one conversion whatever it is written to.

Which formats are supported?

Timelines: Premiere .prproj, DaVinci Resolve .drp (as exported, or gzip- or Zstandard-wrapped), Avid AAF and Final Cut FCPXML in; FCP7 XML, FCPXML, Resolve .drp, CMX 3600 EDL and shot-list CSV out. A Premiere or Final Cut edit travels with its transitions, markers, titles, opacity and scale keyframes, clip volume, speed changes, nested sequences, bins, audio channel routing and each file's own frame rate, wherever the output has a place for them; an Avid AAF brings its transitions, markers, clip levels with their keyframes, muted tracks, nested stacks and each clip's own rate. Captions and transcripts, read and written: SRT, WebVTT, SBV, ASS, TTML, DFXP, iTT, SCC, MCC (a second 608 channel comes out as its own file), EBU-STL, Avid caption TXT, CapCut drafts of any size, timed CSV, Word, plain text, Whisper, WhisperX, AssemblyAI, Deepgram, Rev.ai and CapCut JSON, TwitchDownloader chat logs as a chat replay, Premiere transcript JSON and .prtranscript, Rev, Otter and Word-style transcripts, with italics, colour, placement and speakers kept where the output can hold them and measured word timing into Premiere. EDLs become event CSV reports. The capability table lists what every pair keeps.

Can I pick a frame rate?

Yes. For EDL and Avid caption output you can choose 23.976, 24, 25, 29.97, or 30 fps, or let CutConvert auto-detect it from your source.