Convert SRT to Avid SubCap TXT
Prepare subtitles for Media Composer’s SubCap effect. Match your sequence frame rate, convert to Avid DS caption TXT, then import the caption data.
Convert your files
Drop files here
Drag & drop or browse · SRT filesConverted in your browser. Files never leave your device.About an hour of footage is free. Larger files: $3 each, or Pro $9/month for everything up to 50 MB.
up to 2 files · 100 KB each
free to start · project to project: $5 · every other conversion: $3 · Pro $9/month · pricing
Converting as a guest. A free account has no monthly cap on files within the free size limit.
Como converter SRT para TXT do Avid
Converta legendas SRT em TXT de legendas do Avid Media Composer com timecode preciso por quadro. Escolha a taxa de quadros da sua linha do tempo (ou deixe a detecção automática) e o CutConvert reescreve cada bloco no formato de TXT de legendas que o Avid importa sem problemas.
Adicione seus arquivos SRT
Arraste seus arquivos de legenda .srt para a área de upload — até 10 de uma vez — ou clique para procurar.
Escolha a taxa de quadros
Escolha 23.976, 24, 25, 29.97 ou 30 fps para casar com a sua linha do tempo, ou deixe na detecção automática.
Converta SRT para Avid TXT
Clique em Converter e baixe seu TXT de legendas do Avid (ou um ZIP para um lote).
Arquivo SRT e TXT de legendas do Avid, explicados
Levar legendas da web para uma linha do tempo de finalização no Avid exige casar o formato de TXT de legendas e a taxa de quadros. Este conversor cuida dos dois, para que as legendas caiam exatamente nos quadros certos.
Gere arquivos de legenda do Avid Media Composer com precisão de quadro a partir de qualquer SRT, na taxa de quadros que a sua linha do tempo precisa. É grátis para começar, criptografado em trânsito e converte um lote inteiro em um único ZIP — faça login quando precisar de trabalhos grandes e de alto volume.
Perguntas frequentes sobre SRT para TXT do Avid
Quais taxas de quadros são suportadas?
Você pode escolher 23.976, 24, 25, 29.97 ou 30 fps para casar com a sua linha do tempo, ou deixar na detecção automática e o CutConvert descobre a taxa a partir do seu arquivo de origem.
Por que a taxa de quadros importa para legendas do Avid?
O TXT de legendas do Avid usa timecode preciso por quadro, então a saída precisa casar com a taxa de quadros da sua linha do tempo para que as legendas caiam exatamente nos quadros certos. Escolha a taxa errada e as legendas derivam; escolha a certa e elas importam sem problemas.
Posso converter um lote de arquivos SRT de uma vez?
Sim — solte vários arquivos .srt e baixe um único ZIP de arquivos TXT de legendas do Avid. Visitantes convertem 5 arquivos por mês, com até 100 KB cada; uma conta gratuita não tem limite mensal dentro do tamanho gratuito e aceita lotes de até 100 arquivos, e os planos pagos suportam arquivos de 50 MB e lotes maiores.
Posso converter TXT de legendas do Avid de volta para SRT?
Sim — use o conversor de TXT para SRT em /txt/srt, que lê o timecode e o texto das legendas de uma exportação do Avid e gera um .srt limpo e perfeitamente sincronizado.
Guias para este fluxo de trabalho
- Import SRT into AvidSubCap only reads Avid caption TXT and STL. How to convert an SRT, get the frame rate right, and fix the imports that silently fail.Ler o guia
- Avid captions → SRTExport Caption Data writes Avid's own TXT, not SRT. The export step, the conversion, and the hour-one timecode surprise that catches almost everyone.Ler o guia
- EditingTools.io alternative$19-27/month buys a genuinely broad suite, but a single conversion shouldn't cost a $13 day pass. Where each tool wins, honestly.Ler o guia
- Drop-frame timecodeWhy color TV created 29.97, the 3.6-seconds-per-hour drift, the exact skip pattern, and the DF-vs-NDF choice, with a calculator that does the math.Ler o guia
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Why editors trust it
Free to start
Convert everyday batches for free. Create an account when you need large, high-volume jobs.
Batch in, one ZIP out
Convert a batch within your allowance and download a single ZIP, or one file if that is all you need.
Made for editors
Whole timelines from Premiere, Final Cut and Avid with transitions, markers, titles, keyframes, levels, nests and bins; captions that keep their italics, colour, placement and speakers across SRT, VTT, ASS, TTML, iTT, SCC and STL, any of them in, any of them out; transcripts into Premiere with the words the engine timed. Frame rates and timecode handled the way post expects.
Private by design
Files are converted in your browser. Queued files can be saved locally to restore your job after checkout. Conversion metadata helps us diagnose errors; file contents are not uploaded.
Questions, answered
Where are my files processed?
In your browser. The converter runs on your own machine and the file never leaves it; the site only records that a conversion happened. CutConvert never sees, stores, sells or shares your media.
Is it free? Do I need an account?
About an hour of footage per file is free, on every converter: 100 KB of subtitles or captions, 500 KB of Word transcript, 2 MB of transcript JSON, 1 MB of Resolve project, 5 MB of Final Cut XML, with Premiere projects and Avid AAF a little under the hour. CapCut projects are free up to 500 KB, a short edit, since their size follows how much is in the edit rather than its length. Guests get five conversions a month, a free account has no monthly cap within those sizes, and above that project-to-project transfers are $5 per file. Every other conversion is $3, including project files to captions, reports or cut lists, and captions or transcripts into an editor. Pro is $9 a month ($90 a year) for every file type up to 50 MB; Studio is $19 a month ($190 a year) for files up to 500 MB. Paid-file access lasts 24 hours.
What do I get when I convert multiple files?
Drop several files and you get back one ZIP archive containing every converted file. Convert a single file and you get that one file back, no ZIP. Tick extra formats under the output chips and the same ZIP carries every one of them, and a file counts as one conversion whatever it is written to.
Which formats are supported?
Timelines: Premiere .prproj, DaVinci Resolve .drp (as exported, or gzip- or Zstandard-wrapped), Avid AAF and Final Cut FCPXML in; FCP7 XML, FCPXML, Resolve .drp, CMX 3600 EDL and shot-list CSV out. A Premiere or Final Cut edit travels with its transitions, markers, titles, opacity and scale keyframes, clip volume, speed changes, nested sequences, bins, audio channel routing and each file's own frame rate, wherever the output has a place for them; an Avid AAF brings its transitions, markers, clip levels with their keyframes, muted tracks, nested stacks and each clip's own rate. Captions and transcripts, read and written: SRT, WebVTT, SBV, ASS, TTML, DFXP, iTT, SCC, MCC (a second 608 channel comes out as its own file), EBU-STL, Avid caption TXT, CapCut drafts of any size, timed CSV, Word, plain text, Whisper, WhisperX, AssemblyAI, Deepgram, Rev.ai and CapCut JSON, TwitchDownloader chat logs as a chat replay, Premiere transcript JSON and .prtranscript, Rev, Otter and Word-style transcripts, with italics, colour, placement and speakers kept where the output can hold them and measured word timing into Premiere. EDLs become event CSV reports. The capability table lists what every pair keeps.
Can I pick a frame rate?
Yes. For EDL and Avid caption output you can choose 23.976, 24, 25, 29.97, or 30 fps, or let CutConvert auto-detect it from your source.