Convert FCPXML to SRT
Extract the titles and captions from a Final Cut Pro FCPXML timeline as clean, timed SRT subtitles.
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Drag & drop or browse · FCPXML filesConverted in your browser. Files never leave your device.About an hour of footage is free. Larger files: $3 each, or Pro $9/month for everything up to 50 MB.
up to 2 files · 5 MB each
free to start · project to project: $5 · every other conversion: $3 · Pro $9/month · pricing
Converting as a guest. A free account has no monthly cap on files within the free size limit.
Como converter FCPXML para SRT
Converta FCPXML para SRT online. O CutConvert percorre a linha do tempo do Final Cut Pro no seu .fcpxml, extrai cada título e caption com seu offset e duração exatos e gera legendas SRT limpas e numeradas.
Exporte o FCPXML
No Final Cut Pro, selecione o projeto e escolha File > Export XML (Resolve: File > Export > Timeline). Qualquer versão recente de FCPXML funciona.
Converta FCPXML para SRT
Solte o .fcpxml no conversor. Títulos e captions são lidos com a semântica de offsets do FCPXML, incluindo o timecode inicial da sequência.
Baixe o resultado
Baixe o arquivo convertido na hora — ou um único arquivo ZIP quando você converte um lote de arquivos.
Linha do tempo FCPXML e Legendas SRT, explicados
Legendas montadas como títulos no Final Cut Pro ficam presas na linha do tempo — YouTube, players e fluxos de tradução querem SRT. Este conversor lê a exportação FCPXML, resolve a posição real de cada título (os offsets são relativos aos contêineres e ao timecode inicial da sequência, e é por isso que extrações ingênuas caem uma hora fora) e gera SRT em conformidade com o padrão.
Extraia os títulos e as captions de uma linha do tempo FCPXML do Final Cut Pro como legendas SRT limpas e sincronizadas. É grátis para começar, criptografado em trânsito e converte um lote inteiro em um único ZIP — faça login quando precisar de trabalhos grandes e de alto volume.
Perguntas frequentes sobre FCPXML para SRT
Ele lê títulos, captions ou os dois?
Os dois. Basic Titles (e outros efeitos de título com texto) e elementos de caption são extraídos com sua temporização; placeholders vazios são ignorados.
Por que outras ferramentas colocam minhas legendas uma hora atrasadas?
Linhas do tempo do FCP costumam começar em 01:00:00:00, e os offsets de título no FCPXML são relativos aos contêineres, não absolutos. Este conversor resolve a cadeia de offsets e subtrai o timecode inicial da sequência, então o primeiro bloco cai onde deveria.
Quais versões de FCPXML são suportadas?
A estrutura que este conversor lê (resources, sequences, spines, títulos, captions, tempos racionais) é estável do FCPXML 1.6 ao 1.11, então exportações de qualquer versão recente do FCP ou do Resolve funcionam.
Títulos com várias linhas mantêm as quebras de linha?
Sim — o texto é lido exatamente como está armazenado no título, quebras de linha incluídas, e gravado no bloco SRT.
Posso converter várias linhas do tempo de uma vez?
Sim — solte um lote de arquivos .fcpxml e baixe um único ZIP de SRTs. Grátis para começar; visitantes convertem até 2 arquivos por lote, e uma conta gratuita amplia os limites.
Guias para este fluxo de trabalho
- Export SRT from ResolveTwo clicks when your subtitles live on a subtitle track, and the honest workaround via FCPXML when they are Text+ titles Resolve won't export.Ler o guia
- Open a newer .prproj in older PremiereThe version-lock error, why there's no "Save As previous version," and the three ways out: side-by-side installs, FCP7 XML, and the direct converter.Ler o guia
- Open a .prproj without PremiereThere's no .prproj viewer, but the converter plus free DaVinci Resolve gets you the full timeline: tracks, cuts, clip names, and the media paths inside.Ler o guia
- Import SRT into Final Cut ProThe native caption import, the insertion-time setting that puts subtitles an hour off, and the FCPXML route when you want styleable titles instead.Ler o guia
- Export SRT from Final Cut ProThe native Export Captions route (and its two settings that matter), the hour-offset trap, and the FCPXML converter rescue when subtitles are titles.Ler o guia
- Add subtitles in Final Cut ProGenerate Captions, the SRT import, or converted titles: which of the three routes fits which job, and how to get the subtitles back out.Ler o guia
- What is FCPXML?The FCPXML vs FCP7 XML naming trap, rational timing, the version rules, and the subtitle workflows the format makes possible.Ler o guia
- What is a .fcpxmld?Final Cut's XML bundle is secretly a folder. The two-click way in, the flat-file export option, and the converter that accepts the bundle whole.Ler o guia
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Why editors trust it
Free to start
Convert everyday batches for free. Create an account when you need large, high-volume jobs.
Batch in, one ZIP out
Convert a batch within your allowance and download a single ZIP, or one file if that is all you need.
Made for editors
Whole timelines from Premiere, Final Cut and Avid with transitions, markers, titles, keyframes, levels, nests and bins; captions that keep their italics, colour, placement and speakers across SRT, VTT, ASS, TTML, iTT, SCC and STL, any of them in, any of them out; transcripts into Premiere with the words the engine timed. Frame rates and timecode handled the way post expects.
Private by design
Files are converted in your browser. Queued files can be saved locally to restore your job after checkout. Conversion metadata helps us diagnose errors; file contents are not uploaded.
Questions, answered
Where are my files processed?
In your browser. The converter runs on your own machine and the file never leaves it; the site only records that a conversion happened. CutConvert never sees, stores, sells or shares your media.
Is it free? Do I need an account?
About an hour of footage per file is free, on every converter: 100 KB of subtitles or captions, 500 KB of Word transcript, 2 MB of transcript JSON, 1 MB of Resolve project, 5 MB of Final Cut XML, with Premiere projects and Avid AAF a little under the hour. CapCut projects are free up to 500 KB, a short edit, since their size follows how much is in the edit rather than its length. Guests get five conversions a month, a free account has no monthly cap within those sizes, and above that project-to-project transfers are $5 per file. Every other conversion is $3, including project files to captions, reports or cut lists, and captions or transcripts into an editor. Pro is $9 a month ($90 a year) for every file type up to 50 MB; Studio is $19 a month ($190 a year) for files up to 500 MB. Paid-file access lasts 24 hours.
What do I get when I convert multiple files?
Drop several files and you get back one ZIP archive containing every converted file. Convert a single file and you get that one file back, no ZIP. Tick extra formats under the output chips and the same ZIP carries every one of them, and a file counts as one conversion whatever it is written to.
Which formats are supported?
Timelines: Premiere .prproj, DaVinci Resolve .drp (as exported, or gzip- or Zstandard-wrapped), Avid AAF and Final Cut FCPXML in; FCP7 XML, FCPXML, Resolve .drp, CMX 3600 EDL and shot-list CSV out. A Premiere or Final Cut edit travels with its transitions, markers, titles, opacity and scale keyframes, clip volume, speed changes, nested sequences, bins, audio channel routing and each file's own frame rate, wherever the output has a place for them; an Avid AAF brings its transitions, markers, clip levels with their keyframes, muted tracks, nested stacks and each clip's own rate. Captions and transcripts, read and written: SRT, WebVTT, SBV, ASS, TTML, DFXP, iTT, SCC, MCC (a second 608 channel comes out as its own file), EBU-STL, Avid caption TXT, CapCut drafts of any size, timed CSV, Word, plain text, Whisper, WhisperX, AssemblyAI, Deepgram, Rev.ai and CapCut JSON, TwitchDownloader chat logs as a chat replay, Premiere transcript JSON and .prtranscript, Rev, Otter and Word-style transcripts, with italics, colour, placement and speakers kept where the output can hold them and measured word timing into Premiere. EDLs become event CSV reports. The capability table lists what every pair keeps.
Can I pick a frame rate?
Yes. For EDL and Avid caption output you can choose 23.976, 24, 25, 29.97, or 30 fps, or let CutConvert auto-detect it from your source.